Invención según BWV 1013 (dos flautas)

Invención según BWV 1013 (dos flautas) de Daniel Dorff, publicado por Theodore Presser Company.

Instrumentación: Dos flautas. Para celebrar el centenario del legendario flautista Julius Baker, el Dolce Suono Ensemble encargó una serie de dúos cortos inspirados en Bach, que serán estrenados por Jeffrey Khaner y Mimi Stillman. Daniel Dorff basó su Invention After BWV 100 en la frase inicial de la Partita en la menor de Bach: comienza como una invención a dos voces al estilo de Bach y estalla en una bossa nova en 1013/7, también como una invención de la conocida frase de Bach. Para flautistas avanzados. Duración: 8'2"

NOTAS DEL PROGRAMA
To celebrate the centenary of Julius Baker's birth in 2015, the Dolce Suono Ensemble commissioned eight Philadelphia-area composers to compose flute duets for Mimi Stillman and Jeffrey Khaner to premiere, with the stipulation that each piece must honor Baker by having some relationship to J.S. Bach.

Bach and flute recitals often intersect at the Partita for Solo Flute, BWV 1013 and I chose to write a two-part invention based solely on the first two beats of the Partita - that's a 16th rest, followed by seven 16th notes. I began the piece as a Bach-style invention, but reaching a half-cadence after a page of playing it straight, I got itchy. The melodic pattern is easily recognizable, and if the 16th-rest were excised, the first pitch becomes the downbeat of a 7/16 measure (see m.20 in the example above).

Given the intense nature of Bach, and the spirited virtuosity of these performers, I started the new section with a countermelody spun out from the previous section and then ran with a 7/16 samba version, sticking with Bach's pitch contour. It takes a bit of counting practice to perform this, but I've seen a lot of exhilarated performers nail it.

RESEÑÁS
"... an interesting fantasy based on a very well-known work. It consists of two sections based on source material from the Allemande movement of the Bach Partita (BWV 1013). Dorff uses rhythm and texture to weave a new work from small snippets of the original tune. The new composition in its own compelling way, is not unlike a ransom note created by cutting letters from a magazine. The first section, "Moderato, with Baroque lightness" incorporates an imitative texture and style reminscent of Bach's organ works, and the melody of the Allemande from is clearly recognizable, although there aren't any really direct quotes. The second section, "Faster, fiery," in 7/16, is driven by its asymmetrical meter into a rhythmic, Latinesque dance that maintains the perpetual motion of the original music while discarding some of the gravitas inherent in the Partita. Where Bach's Partita is solemn, this duet is joyous, angular, and on the move. It is an exercise in carefully controlled chaos of which Bach himself might approve!"
            – The Flutist Quarterly (Jessica Dunnavant), Fall 2017

"This work was premiered by dedicatees Jeffrey Khaner and Mimi Stillman in celebration of Julius Baker's centenary. The piece is clever and challenging for two equal players. The opening moderato, with Baroque lightness, is reminiscent of J.S. Bach's Partita in A Minor. The faster, fiery second section is in 7/16 time. This would be excellent for studio recitals, especially if paired with another Bach work. Highly recommended."
            – Charla sobre flauta (Katherine Borst Jones), mayo/junio de 2017    
Invention after BWV1013 sample page

• Dorff, Daniel

• EMPRESA THEODORE PRESSER

• 2 flautas

• Siglo XVII

Envío gratis En pedidos a EE. UU. superiores a 150 $ (se aplica automáticamente al finalizar la compra, ¡no se necesita ningún código!).

Tiempo de procesamiento: Hasta 2 días hábiles

¿Lo necesitas más rápido? Contáctanos - ¡Estamos aquí para ayudarte a acelerar tu pedido!

Envío internacional disponible - Tenga en cuenta que los pedidos internacionales pueden estar sujetos a derechos de aduana, impuestos y tarifas según las regulaciones de importación de su país.